The Film Baby Review: A Sharp Portrait of Queer Brazilian Survivors Lost in the System

Capturing the city's relentless energy and dynamic spirit of São Paulo, director Marcelo Caetano's bracing drama centres on those who inhabit the outskirts of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the impressionable young man discovers refuge in the arms of others.

On an late-night excursion with his boisterous group of gay and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Shrouded in the pulsating light of a adult movie theater, their first meeting is sensuous and erotic, with an edge of danger. Ronaldo promptly ushers Wellington to the clandestine realm of prostitution and selling drugs.

A Portrait of Understanding Rather Than Sensationalism

The director portrays Wellington’s new life of crime with compassionate understanding instead of as a melodramatic morality play. Now adopting the moniker Baby, he approaches his transactional encounters with cocky bravado and touching naivety. To his patrons, Wellington provides not just his youth and his body, but also fleeting acts of kindness.

In the feverish excitement of São Paulo, filled with busy lanes and vibrant storefronts, there’s a deep-seated solitude, as rootless people grasp at one another for momentary bliss.

"The urban landscape might be riddled with risk, yet they are where they can discover chosen kin, too."

A Complicated Relationship of Affection and Power

Ronaldo is at once a romantic interest and a guardian-like mentor to Wellington, but their connection is thrown off course by envy and financial instability. Threats from dubious individuals in the underworld seem minor next to the anxiety about institutional observation and incarceration, symbolized by the constant sight of police officers on patrol.

Baby is particularly impactful as an astute portrait of the forgotten souls who have been failed by the system. The film ultimately serves as a heartfelt exploration into survival, non-biological kinship, and the quest for identity within a demanding urban landscape.

Kevin Rios
Kevin Rios

Lena is a Dutch horticulturist and travel writer who explores the best tulip destinations across the Netherlands.